As the high-end technology becomes cheaper year after year, more and more people can afford to purchase excellent pieces of equipment even if it's just for personal use. Photography is one of the areas most affected by these changes, to the point where professional photographers have a bit of an identity crisis. It's not easy to draw the line today between a professional and an amateur photographer, and it's almost impossible to say exactly which are the features that distinguish professional cameras from the rest.
One thing is certain in the start: price is not a criterion. The cameras described by their particular producers as "professional" begin from a couple of $ 100 and will go up to seven or eight thousand dollars, and that is with no accessories. Many of those who basically earn money as photographer - and who can identify themselves as "professional photographers" beyond any doubt - would certainly select something in the mid-range, simply because they need to handle this same as some other business investment. If they buy the priciest professional cameras, it will require longer to start earning an income.
Which brings up another concern: for whatever reason, most companies believe they have to advertise their cameras as "professional", even though that's clearly not very true. The basic fact that they're not smacked with legal cases for false promotion serves to show that the meaning of professional cameras is hazy these days, at best. It is definitely a marketing trick, aimed at convincing consumers that buying a more expensive camera would improve the quality of their images enough where they could compete with those taken by a pro. Many customers however recognize that they don't need exceptional standard for photos they are really going to share with their family and friends, or publish to their Facebook accounts. However, it's also obvious that even the best camera in the world is worthless in an inappropriate hands.
One surprisingly simple definition comes from outside the industry itself. Professional cameras are banned from live concerts, shows, and other similar events, and they are described as any type of camera with an adjustable or zoom lens. Disappointingly simple, this definition works in practice. Of course, this doesn't mean that owning a camera with an adjustable lens turns you into a professional photographer.
In the end, the most important features of any professional cameras are related to versatility. The owner has to be able to alter all configurations immediately - which include ISO, shutter speed, exposure, and so forth. The second key factor is durability: most of the time, this is an investment that should last for many, many years, even for an eternity. Any parts that might potentially wear off or break down quickly should behave as a warning sign for the customer (the components susceptible to this danger are usually those made of plastic material).
If you show up with a red or yellow or silver camera, nobody is going to take you seriously (though you may score additional points for originality, yellow cameras are quite hard to find). If the camera is black, you suddenly look a lot more... professional.
One thing is certain in the start: price is not a criterion. The cameras described by their particular producers as "professional" begin from a couple of $ 100 and will go up to seven or eight thousand dollars, and that is with no accessories. Many of those who basically earn money as photographer - and who can identify themselves as "professional photographers" beyond any doubt - would certainly select something in the mid-range, simply because they need to handle this same as some other business investment. If they buy the priciest professional cameras, it will require longer to start earning an income.
Which brings up another concern: for whatever reason, most companies believe they have to advertise their cameras as "professional", even though that's clearly not very true. The basic fact that they're not smacked with legal cases for false promotion serves to show that the meaning of professional cameras is hazy these days, at best. It is definitely a marketing trick, aimed at convincing consumers that buying a more expensive camera would improve the quality of their images enough where they could compete with those taken by a pro. Many customers however recognize that they don't need exceptional standard for photos they are really going to share with their family and friends, or publish to their Facebook accounts. However, it's also obvious that even the best camera in the world is worthless in an inappropriate hands.
One surprisingly simple definition comes from outside the industry itself. Professional cameras are banned from live concerts, shows, and other similar events, and they are described as any type of camera with an adjustable or zoom lens. Disappointingly simple, this definition works in practice. Of course, this doesn't mean that owning a camera with an adjustable lens turns you into a professional photographer.
In the end, the most important features of any professional cameras are related to versatility. The owner has to be able to alter all configurations immediately - which include ISO, shutter speed, exposure, and so forth. The second key factor is durability: most of the time, this is an investment that should last for many, many years, even for an eternity. Any parts that might potentially wear off or break down quickly should behave as a warning sign for the customer (the components susceptible to this danger are usually those made of plastic material).
If you show up with a red or yellow or silver camera, nobody is going to take you seriously (though you may score additional points for originality, yellow cameras are quite hard to find). If the camera is black, you suddenly look a lot more... professional.
About the Author:
Looking to buy professional cameras in UK, then checkout Proav.co.uk for some good camcorders at best prices.
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