By Amy Renfrey
If you look at all the great geniuses of photography you can frequently feel like they all knew a confidential way to make pictures look beautiful and superb. Well, this is not a long way from the truth. The fact is the masters like Sebastio Saldago, Ansel Adams, Imogen Cunningham (just to name a few) did, indeed, know the way to create beautiful structure and composition for their photographs. How did they do this? The secret is that they knew the best way to design and arrange their pictures way before pressing the shutter button. Design basics are practical to photography which creates the assembly and formation of your subject placement within your photo. Let's examine some of them now. Photography composition basics A good photo is one that represents a strong story. It is clear and delivers a good structure for us to support our assumptions on. There are a number of design methods that allow us to do this and as a consequence, produce some intense images. Basic photography composition is not only photographing with the rule of thirds, which I?ll explain in a moment, but it's learning why we need to capture things from particular vantage points. Lines and form are the foundation of this knowing.
The elements of visual design To begin with let's consider tone. Tone, very simply put, is a range of bright areas and darker areas. The difference between the brightest point and the darkest point is referred to as tonal range. There are a range of areas of brightness and dark areas within the majority of photos you come across. If an image has a big tonal range is has many variations of brightness and shadow areas. Consider a really fine black and white photo. What is it that makes it so stunning? It's often due to the fact it has a large tonal range. Meaning there are lots of variations of brightness and dark areas in the photo.
A nice photo is one that forms a solid story. It is understandable and presents a good basis for us to support our interpretations on. There are a variety of design rules that allow us to do this and as a consequence, create some authoritative imagery. Basic photography composition is not only working with the rule of thirds, which I'll explain in a moment, but it's learning why we need to shoot things from specific vantage points. Lines and form are the foundation of this knowing. The elements of visual design First let's consider tone. Tone, very simply put, is a range of bright light and shadow. The difference between the brightest point and the darkest point is known as tonal range. There are a variety of areas of brightness and dark areas within most photos you see. If a photo has a big tonal range is has many variations of brightness and shadow areas. Consider a very nice black and white photograph. What is it that makes it so striking? It's more often than not due to the fact it has a large tonal range. This means there are lots of variations of bright and dark areas in the image. These variations enhance the photo due to the fact that brighter areas tend to move the subject frontward and shadowy parts tend to look as if they are further at the rear. This makes it look like the photograph is more three dimensional. The more that a photograph looks three dimensional the more enhanced it tends to look. Each time you shoot take into consideration how your highlights impact with your darker areas to make structures look the way they do. Consider if you can make them more powerful and give them more contrast to bring out lines and shape. Let's look at the lines within a photo, how they direct our eyes and what they suggest. Each photo has shape and much of that shape relies upon of lines within your photograph. Regardless of whether it is the horizon line of your sunset image, the vertical outline of a road sign or bending lines of a stunning shell you discover on the seashore, you may still need to place those lines in certain places of the photograph for highest visual appeal.
Now let us look at the lines within a photo, how they direct our eyes and what they suggest. Each photo has shape and much of that shape relies upon of lines within your image. Regardless of whether it is the horizon line of your twilight photograph, the vertical shape of a road sign or bending lines of a stunning shell you come across on the beach, you will still require to place those lines in certain places of the photo for greatest visual appeal.
The wonderful thing about a modest amount of knowledge is that it can yield compelling results. Lines can be used to guide the viewer's attention to a precise section of the image. Horizontal lines symbolize stability and relaxation. Vertical lines stand for power and a sense of determination. Diagonal lines symbolize action and activity. Curved lines symbolize elegance and classiness. Converging lines correspond to distance and perception. Traversing lines represent intricacy and speedy movement. So in what way do we organize our images with such specific construction like this to create striking images? There's no hard and fast way, but the guiding rule called the rule of thirds might support you further.
Photography and the rule of thirds The rule of thirds is related to the placement of appealing parts of your subject on areas of your photo. For example, it might be a little bit uninteresting to place a persons happy face exactly in the middle of the image. If you positioned the camera so their face was closer to the boundary of the frame it might be more attractive. It might offer a more positive message and captivate your audience a bit more. The rule of thirds is an imaginary grid that we place over the top of an image. We put the interesting elements of our subject as close as possible to the junction points. This offers you the opportunity to generate deeper and more meaningful images for the rest of your life. You can create stunning photos anytime. Begin by examining your lines and tonal range. These two aspects can prove to be powerful visual elements for generating stunning images.
If you look at all the great geniuses of photography you can frequently feel like they all knew a confidential way to make pictures look beautiful and superb. Well, this is not a long way from the truth. The fact is the masters like Sebastio Saldago, Ansel Adams, Imogen Cunningham (just to name a few) did, indeed, know the way to create beautiful structure and composition for their photographs. How did they do this? The secret is that they knew the best way to design and arrange their pictures way before pressing the shutter button. Design basics are practical to photography which creates the assembly and formation of your subject placement within your photo. Let's examine some of them now. Photography composition basics A good photo is one that represents a strong story. It is clear and delivers a good structure for us to support our assumptions on. There are a number of design methods that allow us to do this and as a consequence, produce some intense images. Basic photography composition is not only photographing with the rule of thirds, which I?ll explain in a moment, but it's learning why we need to capture things from particular vantage points. Lines and form are the foundation of this knowing.
The elements of visual design To begin with let's consider tone. Tone, very simply put, is a range of bright areas and darker areas. The difference between the brightest point and the darkest point is referred to as tonal range. There are a range of areas of brightness and dark areas within the majority of photos you come across. If an image has a big tonal range is has many variations of brightness and shadow areas. Consider a really fine black and white photo. What is it that makes it so stunning? It's often due to the fact it has a large tonal range. Meaning there are lots of variations of brightness and dark areas in the photo.
A nice photo is one that forms a solid story. It is understandable and presents a good basis for us to support our interpretations on. There are a variety of design rules that allow us to do this and as a consequence, create some authoritative imagery. Basic photography composition is not only working with the rule of thirds, which I'll explain in a moment, but it's learning why we need to shoot things from specific vantage points. Lines and form are the foundation of this knowing. The elements of visual design First let's consider tone. Tone, very simply put, is a range of bright light and shadow. The difference between the brightest point and the darkest point is known as tonal range. There are a variety of areas of brightness and dark areas within most photos you see. If a photo has a big tonal range is has many variations of brightness and shadow areas. Consider a very nice black and white photograph. What is it that makes it so striking? It's more often than not due to the fact it has a large tonal range. This means there are lots of variations of bright and dark areas in the image. These variations enhance the photo due to the fact that brighter areas tend to move the subject frontward and shadowy parts tend to look as if they are further at the rear. This makes it look like the photograph is more three dimensional. The more that a photograph looks three dimensional the more enhanced it tends to look. Each time you shoot take into consideration how your highlights impact with your darker areas to make structures look the way they do. Consider if you can make them more powerful and give them more contrast to bring out lines and shape. Let's look at the lines within a photo, how they direct our eyes and what they suggest. Each photo has shape and much of that shape relies upon of lines within your photograph. Regardless of whether it is the horizon line of your sunset image, the vertical outline of a road sign or bending lines of a stunning shell you discover on the seashore, you may still need to place those lines in certain places of the photograph for highest visual appeal.
Now let us look at the lines within a photo, how they direct our eyes and what they suggest. Each photo has shape and much of that shape relies upon of lines within your image. Regardless of whether it is the horizon line of your twilight photograph, the vertical shape of a road sign or bending lines of a stunning shell you come across on the beach, you will still require to place those lines in certain places of the photo for greatest visual appeal.
The wonderful thing about a modest amount of knowledge is that it can yield compelling results. Lines can be used to guide the viewer's attention to a precise section of the image. Horizontal lines symbolize stability and relaxation. Vertical lines stand for power and a sense of determination. Diagonal lines symbolize action and activity. Curved lines symbolize elegance and classiness. Converging lines correspond to distance and perception. Traversing lines represent intricacy and speedy movement. So in what way do we organize our images with such specific construction like this to create striking images? There's no hard and fast way, but the guiding rule called the rule of thirds might support you further.
Photography and the rule of thirds The rule of thirds is related to the placement of appealing parts of your subject on areas of your photo. For example, it might be a little bit uninteresting to place a persons happy face exactly in the middle of the image. If you positioned the camera so their face was closer to the boundary of the frame it might be more attractive. It might offer a more positive message and captivate your audience a bit more. The rule of thirds is an imaginary grid that we place over the top of an image. We put the interesting elements of our subject as close as possible to the junction points. This offers you the opportunity to generate deeper and more meaningful images for the rest of your life. You can create stunning photos anytime. Begin by examining your lines and tonal range. These two aspects can prove to be powerful visual elements for generating stunning images.
About the Author:
Amy Renfrey is a professional photography teacher. She is the author of several photography ebooks and a monthly photography emagazine. She shows you how to take stunning photos every single time, even if you have never used a digital camera before. Click here to learn how to take good photographs.
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