Hip Hop is a cultural, musical and artistic movement that emerged in South Bronx, New York, around the early 1970s. Originally, it was popular in black and Latino ghettos of New York, but later spread quickly throughout the country and the world to the point of becoming a major urban culture. Hip Hop culture spans several disciplines: rap (or MCing), DJing, breakdancing (or b-boying), graffiti, beatboxing. These disciplines, appeared before Hip Hop and were integrated at the birth of the movement.
From 2005, when Eminem retreated to a creative break the dominance of the Detroit scene took off rapidly and crossover musicians such as Kanye West and Gnarls Barkley experienced great success. The race for sales in the autumn of 2007 between West's album Graduation and 50 Cent's ' Curtis was intense. Graduation proved that innovative rap music can be just as commercially successful as gangsta rap.
Afrika Bambaataa was one of the DJs that were inspired by DJ Kool Herc. In 1976 he organized his first party, accompanied by a crew of breakers he called the Zulu Kings and Zulu Queens, and later the Zulu nation emerged from these crews. From 1976, Grandmaster Flash developed other important DJ techniques such as Cutting, back spinning and phasing (where the disk is spun backwards to repeat a specific section). This action resulted in a slight speed reduction generated by the velocity of two turntables, known as the phase effect.
The strongest acts of the early 1990s on the East Coast were either intellectual formations, especially the Native Tongues Posse, such as De La Soul, A Tribe Called Quest, Black Sheep, Jungle Brothers, and the Fu - Schnickens, or political acts such as Public Enemy or KRS-One. Although some very experimental or politically dedicated tones found strong favor with the critics.
A possible origin of the term Hip Hop could be from a member of Grandmaster Flash and the Furious Five, Cowboy, who allegedly used for the first time the term Hip Hop while teasing a friend who had just joined the U. S. Army. In fact, he used a onomatopoeia consisting the words "hip / hop / hip / hop" in a jerky way to mimic the rhythmic cadence of military marches performed by soldiers. But, these are only legends and stories.
The genre fits both continuity and rupture with black American music. It continuous manifestation as a distant descendant of complaints about the living conditions of African Americans in the Bronx, the tradition of improvisation appeared with ragtime and jazz, and musical dialogues (call and response).
In the fall of 1981, the single "Der Kommissar" by the Austrian Falco created a sensation in the pop scene. It reached No. 1 in almost all of Europe. With his development, Falco was sometimes referred to as the first white rapper. In particular, the label Sugar Hill, which had already released Rapper's Delight, quickly moved to secure Grandmaster Flash under contract, who worked with the rap group The Furious Five since 1977.
Hence, the inclusion of this music in the broader cultural group mentioned above, and the attitude of hip-hoppers who keep the dress style (street wear), the language of the ghetto (slang) and values. The attachment of hip-hoppers in their neighborhood (through the notion of representation) translates positively through a generally strong link with other hip-hoppers from the same place, expressed by the terms crew, posse, squad, homies, clan or clique. Rappers and underground Hip Hop producers are at the forefront of the culture and also influence popular music today.
From 2005, when Eminem retreated to a creative break the dominance of the Detroit scene took off rapidly and crossover musicians such as Kanye West and Gnarls Barkley experienced great success. The race for sales in the autumn of 2007 between West's album Graduation and 50 Cent's ' Curtis was intense. Graduation proved that innovative rap music can be just as commercially successful as gangsta rap.
Afrika Bambaataa was one of the DJs that were inspired by DJ Kool Herc. In 1976 he organized his first party, accompanied by a crew of breakers he called the Zulu Kings and Zulu Queens, and later the Zulu nation emerged from these crews. From 1976, Grandmaster Flash developed other important DJ techniques such as Cutting, back spinning and phasing (where the disk is spun backwards to repeat a specific section). This action resulted in a slight speed reduction generated by the velocity of two turntables, known as the phase effect.
The strongest acts of the early 1990s on the East Coast were either intellectual formations, especially the Native Tongues Posse, such as De La Soul, A Tribe Called Quest, Black Sheep, Jungle Brothers, and the Fu - Schnickens, or political acts such as Public Enemy or KRS-One. Although some very experimental or politically dedicated tones found strong favor with the critics.
A possible origin of the term Hip Hop could be from a member of Grandmaster Flash and the Furious Five, Cowboy, who allegedly used for the first time the term Hip Hop while teasing a friend who had just joined the U. S. Army. In fact, he used a onomatopoeia consisting the words "hip / hop / hip / hop" in a jerky way to mimic the rhythmic cadence of military marches performed by soldiers. But, these are only legends and stories.
The genre fits both continuity and rupture with black American music. It continuous manifestation as a distant descendant of complaints about the living conditions of African Americans in the Bronx, the tradition of improvisation appeared with ragtime and jazz, and musical dialogues (call and response).
In the fall of 1981, the single "Der Kommissar" by the Austrian Falco created a sensation in the pop scene. It reached No. 1 in almost all of Europe. With his development, Falco was sometimes referred to as the first white rapper. In particular, the label Sugar Hill, which had already released Rapper's Delight, quickly moved to secure Grandmaster Flash under contract, who worked with the rap group The Furious Five since 1977.
Hence, the inclusion of this music in the broader cultural group mentioned above, and the attitude of hip-hoppers who keep the dress style (street wear), the language of the ghetto (slang) and values. The attachment of hip-hoppers in their neighborhood (through the notion of representation) translates positively through a generally strong link with other hip-hoppers from the same place, expressed by the terms crew, posse, squad, homies, clan or clique. Rappers and underground Hip Hop producers are at the forefront of the culture and also influence popular music today.
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