Aiding in the promulgation of the Mexican Mural Renaissance, Diego Rivera paintings are mainly big wall works done in fresco. Aside from being a world famous Mexican painter, Diego Rivera is also known for being an active communist and a husband to Frida Kahlo.
Diego Rivera paintings initially embraced cubism. They shifted towards Post-Impressionism with simple forms and large patches of vivid colors, inspired by the paintings of Paul Cezanne. They began to attract attention and displayed at several exhibitions.
The first mural of note amongst the Diego Rivera paintings was entitled Creation. It was experimentally painted in encaustic in 1922. Other murals painted by Diego were done purely in fresco. Reflecting the Mexican revolution of 1910, they focused on the Mexican society.
On the basis of large, simplified figures and colors, the Diego Rivera paintings reflected a native style development. This started in September, 1922. There was a sprinkle of Aztec influence noted in these paintings as well.
Story telling is a feature of Diego Rivera paintings. A perfect example of this feature in Diego's mural entitled In The Arsenal. In this mural, Tina Modotti is shown holding an ammunition belt while facing Julio Antonio Mella, wearing a light hat and standing in front of Vittorio Vidale, wearing a black hat. The painting was considered by some spectators as evidence that Diego had prior knowledge of Vidale's murdering Mella.
Detroit Industry, a series of 27 fresco panels, consisted the Diego Rivera paintings between 1932 and 1933. Containing a Vladimir Lenin portrait was a Diego Rivera mural in 1933 entitled Man at the Crossroads. This particular mural was retitled Man, Controller of the Universe, after it was repainted in 1934.
Forming the bridge between 19th century Impressionism and early 20th century Cubism were the Cezanne paintings. They laid the foundations for the transition from the creation of artistic endeavour in the 19th century to a new and glaringly different art work in the 20th century.
Paul Cezanne was a French artist and Post-Impressionist painter, often called the Father of Modern Art. Cezanne paintings demonstrated a mastery of design, color, composition and draftsmanship. They featured repetitive, sensitive and exploratory brushstrokes that are highly characteristic and clearly recognizable.
Building up to the formation of complex fields are the planes of color and small brushstrokes presented in Cezanne paintings. The sensations of the observing eye as well as the abstractions from observed nature are directly expressed in these paintings. Other than conveying Paul's intense study of his subjects, they also show Paul's searching gaze and his struggle in dealing with the intricacies of human visual perception.
The ideal mixture of naturalistic representation, personal expression and abstract pictorial order is what Cezanne paintings aim at. Because early Cezanne paintings were done in dark tones supplemented by heavy and fluid pigments, they subsequently implied the moody and romantic expressionism imbued by previous generations of painters.
It was a commitment to contemporary life representations that Cezanne paintings eventually developed into. They became Paul's own observation of the world. They were no longer concerned with either thematic idealization or stylistic affection.
Diego Rivera paintings initially embraced cubism. They shifted towards Post-Impressionism with simple forms and large patches of vivid colors, inspired by the paintings of Paul Cezanne. They began to attract attention and displayed at several exhibitions.
The first mural of note amongst the Diego Rivera paintings was entitled Creation. It was experimentally painted in encaustic in 1922. Other murals painted by Diego were done purely in fresco. Reflecting the Mexican revolution of 1910, they focused on the Mexican society.
On the basis of large, simplified figures and colors, the Diego Rivera paintings reflected a native style development. This started in September, 1922. There was a sprinkle of Aztec influence noted in these paintings as well.
Story telling is a feature of Diego Rivera paintings. A perfect example of this feature in Diego's mural entitled In The Arsenal. In this mural, Tina Modotti is shown holding an ammunition belt while facing Julio Antonio Mella, wearing a light hat and standing in front of Vittorio Vidale, wearing a black hat. The painting was considered by some spectators as evidence that Diego had prior knowledge of Vidale's murdering Mella.
Detroit Industry, a series of 27 fresco panels, consisted the Diego Rivera paintings between 1932 and 1933. Containing a Vladimir Lenin portrait was a Diego Rivera mural in 1933 entitled Man at the Crossroads. This particular mural was retitled Man, Controller of the Universe, after it was repainted in 1934.
Forming the bridge between 19th century Impressionism and early 20th century Cubism were the Cezanne paintings. They laid the foundations for the transition from the creation of artistic endeavour in the 19th century to a new and glaringly different art work in the 20th century.
Paul Cezanne was a French artist and Post-Impressionist painter, often called the Father of Modern Art. Cezanne paintings demonstrated a mastery of design, color, composition and draftsmanship. They featured repetitive, sensitive and exploratory brushstrokes that are highly characteristic and clearly recognizable.
Building up to the formation of complex fields are the planes of color and small brushstrokes presented in Cezanne paintings. The sensations of the observing eye as well as the abstractions from observed nature are directly expressed in these paintings. Other than conveying Paul's intense study of his subjects, they also show Paul's searching gaze and his struggle in dealing with the intricacies of human visual perception.
The ideal mixture of naturalistic representation, personal expression and abstract pictorial order is what Cezanne paintings aim at. Because early Cezanne paintings were done in dark tones supplemented by heavy and fluid pigments, they subsequently implied the moody and romantic expressionism imbued by previous generations of painters.
It was a commitment to contemporary life representations that Cezanne paintings eventually developed into. They became Paul's own observation of the world. They were no longer concerned with either thematic idealization or stylistic affection.
About the Author:
Learn more about Diego Rivera Paintings. Stop by Darren Hartley's site where you can find out all about Cezanne Paintings and what it can do for you.
No comments:
Post a Comment